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Against the backdrop of a Midwestern state battling industrial decline, an opioid epidemic, and rising incarceration rates, APART offers an intimate portrait of three women who return home from prison and rebuild their lives after being separated from their children for years.

FANNIE LOU HAMER'S AMERICA will be released by Women Make Movies and will be available to ship on March 22, 2022.

In this Peabody Award-winning exposé,  director  Deeyah  Khan uses her uniquely intimate filming style to investigate the  rise in anti-Muslim hate crimes in the  U.S. 

Offering a window into the experience of Chinese migration to Cuba, HAVANA DIVAS follows two Cantonese opera singers who perform for decades in Cuba before, and during, Fidel Castro’s revolution.

Filmed as the U.S. planned for its September 2021 withdrawal of troops, IN THE RUMBLING BELLY OF MOTHERLAND documents an inspiring female-led news agency in Kabul, Afghanistan.

A grave warning of how far state control of women’s bodies can go, FLY SO FAR follows Teodora Vásquez, who was sentenced to thirty years in a Salvadorean prison after she suffered a stillbirth.

An evocative audiovisual meditation on the experience of Mexican immigrants living and working in rural America.

An intimate and inspiring  portrait of  Rep. Barbara Lee (D-CA), a champion of civil rights and the lone vote in opposition of the broad authorization of military force following the September 11th  attacks. 

Kendra Mylnechuk Potter, a Native woman adopted into a white family, reconnects with her Native identity and begins to view herself as a living legacy of U.S. assimilationist policy.

Told from the point of view of women advocating for accountability and change, this compelling documentary by USC Graduate Mishal Mahmud examines the sexual assault scandal at the University of Southern California, detailing crimes committed by former gynecologist Dr. George Tyndall and exposing the active cover-up on the part of the administration.

In 1932, Celine Navarro was buried alive by her own community in Northern California. This is an attempt to uncover the real story, revealing Navarro’s feminism and resistance in a time when neither was embraced, as well as the silences that haunt Filipino-American communities to this day.

Told through a deeply personal lens, this film explores sexual assault and trauma – and how these experiences intersect with race, class, and sexual orientation – with complexity and sensitivity. 

STATELESS, the new film from the critically acclaimed filmmaker of American Promise, looks at the complex politics of immigration and race in the Dominican Republic and Haiti, using a combination of magical realism and hidden camera techniques.

Nice Chinese Girls Don’t is a portrait of Kitty Tsui -- an iconic Asian American lesbian, poet, artist, activist, writer, and bodybuilder who came of age in the early days of the Women’s Liberation Movement in San Francisco.

When MIT Media Lab researcher Joy Buolamwini discovers that many facial recognition technologies misclassify women and darker-skinned faces, she delves into an investigation of widespread bias in algorithms.

Filmed over seven years with extraordinary access and intimate accounts from currently and formerly incarcerated people, this Emmy-winning documentary exposes a pattern of illegal sterilizations, modern-day eugenics and reproductive injustice in California prisons.

WITHOUT A WHISPER - KONNON:KWE is the untold story of the profound influence of Indigenous women on the beginning of the women’s rights movement in the United States.